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| At home I put Yellow Canary over the white on the unfinished petals. Remember, I typically would work all over the entire piece rather than the center and a few petals. That is done for class and time constraints. |
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| I have used white on one of the petals to add more highlights. |
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| I have started to add the darks. Need to work on this quite a bit next class. |
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| At home I added some yellow to her shirt and red to the scarf. |
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| I worked mostly on the face with scarlet lake, canary yellow, indigo, true blue, and white. I added a bit more dark in the background, especially in front of her face. It has more work overall that is needed of course |
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| At home I used pomegranate to define the flower (it was hard to see). |
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| I used pomegranate, white, and indigo to start the shadows and highlights on the flower. |
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| I used indigo, canary yellow, true blue, red (can't remember which one), and white to work on the one leaf. |
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| I worked on this a tiny bit, upright, wet-on-dry. I added some darks |
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| I demonstrated the first pass on an upright, wet-on-dry, painting. I used light and very wet color allowing it to drip. I focused on the skin and pulled the paint into the background and onto the clothing. I mostly put yellows on the light areas, blues in the shadows, and reds on the mediums. This is not required, but seems to be what I do in general. |