Aqueous Acrylic & Gouache (March & April 2015)

Acrylic.  I painted the red and let it dry.  Then I started adding highlights and shadows.  This still needs lots of value work (lights and darks/highlights and shadows) as well as details.

Gouache.  I painted the red and the black.

Acrylic.  I painted the white trim and let it dry.  I painted the dark shapes and let it dry.  I then did white over the trim (as I got a bit too dark).I painted the shadows under the table and alongside the window as well as the shadow under the tablecloth.

Acrylic.  I used the paint I had left over from today and painted the background for the next project.  I wet the surface and dropped the color in and moved it around. I wanted it to be a dark color for the next project. 

Continuing Watercolor (March and April 2015)

I transferred the sheep and put masking fluid in the shape of the hairs around the edges to preserve the hairs.

I wet the paper around the sheep and dropped in color making a horizontal pattern.  May do a wash or two over this before I remove the masking (not sure yet).

I transferred the drawing, editing some of the leaves out and making up some when I could not tell what exactly was happening in the drawing.  I wet the background and dropped in burnt sienna and cobalt.  This photo was taken with my phone in class, so the colors are not correct.

I worked on a few berries.  I wet the blueberry, dropped in the color paying attention to the highlights and shadows.  While it was still wet I added other colors for either shadows or color details.  I worked on a few leaves wetting them first and adding the yellow and green or the blue greens depending on the color in the photo.  The leaf colors vary quite a bit.

Aqueous Acrylic and Gouache (March and April 2015)

Acrylic on a canvas panel (prepped with flat white house paint).  First I wet the panel and dropped in color.  Then I added sea salt when it was shiny, but not a puddle.  After that was dry I removed the salt and I transferred the drawing.  Then I painted the black part of the rooster with a medium-dark gray.

Gouache on paper.  I wet the paper, applied color, and put scrunched plastic wrap on top.  I left this until it was dry.  I will use this to paint a gouache rooster.

First I drew a square where the window would be placed.  Then I wet the square and added the landscape colors.  After this was dry I did the outside of the square with a warm gray.  I spritzed it with a fine water spray after it was starting to dry.  After it was dry I transferred the drawing.

Continuing Watercolor (January and February 2015)

I worked on this adding more values and highlights as well as a bit of color.  I worked mostly on the top portion as I had not done much there before now.  I added a dry brush texture to the background and a bit more linen texture to the cloth.

Continuing Watercolor (November and December 2014)

I worked on him more adding detail and some dark values as well as highlights (with gouache).  He might be done...

I worked on this more adding details and some values where needed.  It might be done...

BAL Class (August 2014)

I have worked on this more, adding details and adjusting values.  It might be done...

Continuing Watercolor (January and February 2015)

I have added some hair texture.  It needs a bit more on the lower part of the body.  I will do a little tweaking, but it is very close to complete.

I have added the gold handle? on the lid.  I wet it, added a gold color and let it dry.  Then I came in with a shadow.  Since I did not keep the highlight area white I used gouache.  I have more work to do, especially at the top of the painting and on the cloth at the bottom. bit it is coming along.

I have started another pear.  I have also worked on some of the leaves.  This one has a little work left.

I worked on the trees, attaching them to the ground and adding shadows.  I wet the white tree, and dropped in color on the shadow side.  I used dark brown, red brown, and green.  I lifted some highlights into the rocks.  I sponged the foreground area.  I made the back area into water.  I need to work on the trees of course.  There are some parts that bother me that I will work on (between the two water areas and the shapes of the water, the island, the foreground - these areas bother me)

Continuing Watercolor (January and February 2015)

I worked a little on the background (did a few glazes) and worked on adding some of the leaves.

I worked quite a bit on this adding darks, textures, and color.  It's time to take off the masking.

I have removed the masking.

BAL Mixed Media (January and February 2015)

I worked some on the pears and on the leaves.  It has of course more to go.  In discussing the leaves we talked about how in a shadowed area it helps to gradate the shadow or have areas of lighter value within the shadow, even if in the picture it shows it as a solid dark.  It makes it more interesting and works better for the piece.  I also added some red to the greens.

I added more texture to the hat, worked a little with white on the collar and front of the shirt, worked on the beard blending it into the face, and I worked on the highlights and shadows of the face.  This photo has a glare on the shadow under the hat.  If I can get a better photo I will re post it.  Mixed medias are some of my more difficult pieces to photograph.

This is the piece that started as an ink wash (india ink, water, and a brush).  I then worked on the pen & ink (black and white pens), and then I tinted it with watercolor.  Once I get all the 'wet' media done I might work with colored pencil on top if it is needed (it might not be needed).

Continuing Watercolor (January and February 2015)

I added more values and color and a few more details to the brass coffee press.  I added a bit more of the bronze color to the left side of the plate.  I need to work on the top part of the plate as most of it is unfinished.

I did a bit of painting in the background (negative painting) as well as painting one of the leaves (started at least).  I gently, with a brush and water, cleaned the edges of the pear and let it dry.  Later I wet the pear and did the first layer of color and value and texture.  I also painted the back, larger branch.  After it was dry I painted the dark shadow on the bottom of the pear, added the bottom 'hairs' and defined the bottom with a shadow and highlight.  I also then painted the top branch.

I started with the sky.  I wet the area and added cobalt, a little darker the the top.  I also wet the water (sounds funny...) and added cobalt there as well.  Then I moved to the bottom/front, wet the area, and dropped in color and added salt.  It needs shadows in order to make this area lay down.  I will show you when I get back.  After it was dry I wet the part right below the sky.  I added green at the top and some burnt sienna and brown as well as more green.  I put the darker browns near the bases of the trees in that area (missed a few).  I pulled the color up at the top with a damp brush making a haze of far away trees.  I also softened the bottom of this area to avoid a hard line. I wanted this area to be soft, less detailed, and less colorful.

Continuing Watercolor (January and February 2015)

I transferred the drawing.  Then I used masking to block out the trees.  I also added some grass and brush type marks and the reflection in the water.

BAL Mixed Media (January and February 2015)

I worked on this after class.  I have added more dark to the background and more white to his feathers.  The photo is not great (I had trouble, as usual, photographing this and the man - both dark subjects).

I have worked on one of the pears in the back.

The color is off of course.  This is the blue watercolor background with white gouache in a value study approach.  This is the photo I took in class before I started with the colored pencil.

The color is a bit bright here.  This is the man after I used colored pencil on his face and hat and a little on the beard.  I used peach, light peach, sienna, dark brown, indigo, scarlet lake, canary yellow, white.  Remember I also showed you on the collar how to do a gentle wash of watercolor glaze over the white gouache.

Continuing Watercolor (January and February 2015)

I worked on the fur, basically drawing with the paint.  You could also do dry brush for the fur.  I added quite a few darks as well.

I added the wood texture to the handle (using a brown) paying attention to the values and shadows.  I added a lot of the dark and medium shapes to the brass (there is more to do).  Making something shiny requires values and shapes.  I worked a bit more on the plate (it needs a lot more work) as well as the stack of plates.  I added a little texture to the tablecloth as well.  I worked on the black handle as well.

This still has the rubber cement.  It has 3 coats or rubber cement and color.  In the first two layers I used blue, yellow, and green.  The third layer was mostly yellow and red.

This is after the rubber cement was removed.

I added the drawing after lining it up.  I traced some of the branches and leaves and drew others that fit the background.

BAL Mixed Media (January and February 2015)

I worked on the body, adding colors (scarlet lake, true blue, aquamarine) before I used the black.  I put the black over the colors I had added.  Later I used white for the highlights and feather texture around his neck.  I showed you how to melt the pencil (with goo gone gel) and how to use a stiff brush to work the pencil in.I added highlights and shadows and many layers of the pencil.  The background needs work which I plan to do next class.

I worked on the pear with some greens (dark green and chartreuse), a red, yellow, and white. I paid attention to the values - the shadows and the highlights.  I also did a leaf (same colors as the pear) and the branch.  The main thing - pay attention to the values. 

This is the background for the next project.  I used student grade watercolor paper, wet it, and used a dark color allowing my brushstrokes to show.  I added salt, a bit late sadly, so I sprayed a fine mist to create texture.  I will use white transfer paper to transfer the drawing of the man.

This is a demo sheet I used to show you how to melt the pencils with goo gone gel (two on the top left), how to use a brush to mix (top right), and the Jelly Roll white ink pen over black ink. 

Continuing Watercolor (January and February 2015

I added the tongue (and later scrubbed to fix the tongue), added the bottom jaw, and started adding details.  I showed you how to add highlights with gouache and with a scrubber.  He is getting close but needs a bit more as far as values and details.

I added more of the gray to the plate and background (still a little more to do).  If this were not a demo piece I would have finished the value study before adding color.  Sometimes I stop at the value study as my finished piece.  I added the bronze color (burnt sienna and a bit of red, you may need a little yellow as well).  I paid attention to the values when adding the bronze.  I dropped in yellow and red on the coffee press.  It needs more value and color work.  I wet and floated in the bronze color on the plate as well.

I started by taping down my drawing.  I made registration marks at the top (they go onto the drawing as well).  This is so I can re-align the drawing later if needed.  I transferred the pear shapes and a few of the main branches.  I removed the drawing and drizzled a little rubber cement onto the paper.  After it was dry I wet the paper around the pears and dropped in yellow and green keeping it light.  The pears do have rubber cement on them, but since I did not add water the color did not go there (I did not want the rubber cement textures on the pears).  The next step will be to drizzle more rubber cement, allow to dry, wet the paper and drop in more yellow, green and possible some blue.  I plan to do about 3-5 layers, avoiding coloring the pears at this point.

BAL Mixed Media

This started as a rubber cement textured watercolor.  I superimposed the rooster on top.  I did a little pen & ink on his waddle, around his eye, and the hair going into his comb.  I used a red prismacolor (scarlet lake) plus white and indigo to work on the waddle and comb.  I used watercolor to darken the background.  There is quite a lot to do still, but it is a good start.

This was started on white student grade watercolor paper.  I transferred the drawing and painted it simply and quickly in acrylic (very thin acrylic).  It can be done in watercolor as well..  I did some pen & ink for demonstration.  I then put a thin layer of Acrylic Ground for Pastel over the whole thing (it dries transparent/translucent).  I will add colored pencil next week (it needed to dry well).

Continuing Watercolor (January & February 2015)

I started by wetting the paper and dropping in light color (a mix of green and the blue and yellow to make the green).  When  it was shiny, not a puddle, I added salt (I added both regular salt and large sea salt).  After it was dry I transferred the dog drawing onto the paper.  Then with a dark mixture made from indigo and brown I started on the ear.  At the top I dropped burnt sienna into the dark mixture.  I worked on the ear dry, although dampening it would help keep hard lines away.  Next I dampened the face of the dog and started adding values with the dark mixture switching to the red brown .  I left the top of his head light and painted behind his head to pop it forward (negative painting).

I transferred the drawing first.  Use only one color for this as this is a value study first.  We will add other colors later.  I wet the background and using a gray color that leaned toward blue I started adding values and a little texture (the color I used was indigo and brown, but grays can be mixed with any compliments - purple and yellow, blue and orange or brown, red and green).  On the plate I wet the area I was working on and added values there as well.  I put the paint on in circular lines as that is the textural pattern on the plate.  Remember - on the brass pot only add the gray in the very dark areas and do it a bit lighter than the actual value - the reason is if you do too much gray it will cause the bronze color to be less bright/more neutralized than you may want. 

Continuing Watercolor (November & December 2014)

I worked on the clothes, the buttons, added a little blue to the hat, and worked on the face.  By working on I mainly was adding highlights and shadows to make it 'pop' more.  I used a little gouache (warmed with a tiny bit of burnt sienna) to add highlights to the face.  I used white gouache to add highlights to the clothes.  I reshaped the beard a bit (may need to reshape a bit more, the back of the beard needs to be more terxtured).